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[16] Around the same time, he injured his back as a result of a fall from a boat ramp on the shore of Lake Simcoe. As for Beethoven, Gould preferred the composer's early and late periods. [25] He could "memorize at sight" and once challenged his friend John Roberts to name any piece of music that he could not "instantly play from memory". $6.93. [12] Gould's interest in the piano was concomitant with an interest in composition. Thomas Bernhard's renowned 1983 novel The Loser purports to be an extended first-person essay about Gould and his lifelong friendship with two fellow students from the Mozarteum school in Salzburg, both of whom have abandoned their careers as concert pianists due to the intimidating example of Gould's genius. [61], Though he was an admitted hypochondriac,[62][fn 13] Gould suffered many pains and ailments; his autopsy, however, revealed few underlying problems in areas that often troubled him. Gould had a pronounced aversion to what he termed "hedonistic" approaches to piano repertoire, performance, and music generally. Fran's Restaurant in Toronto was a regular haunt of Gould's. "[55] In a letter to the cellist Virginia Katims of 20 January 1973, Gould said he had been vegetarian for about ten years. [9], Gould's interest in music and his talent as a pianist were evident very early. Yet it is not the work that has changed but its relation within the accepted narrative of music history. Although Gould's recording studio producers have testified that "he needed splicing less than most performers",[83] Gould used the process to give himself total artistic control over the recording process. [93] He recorded a number of Gibbons's keyboard works, and called him his favourite composer,[94][95] despite his better-known admiration for the technical mastery of Bach. By 4 October, there was evidence of brain damage, and Gould's father decided that his son should be taken off life support. [11] He learned to read music before he could read words,[6][12][13] and it had been observed that, at age three, he had perfect pitch. Browse more videos. [73] While offering "brilliant insights" and "provocative theses", Gould's writing is often marred by "long, tortuous sentences" and a "false formality", Bazzana writes.[74]. The claim that Gould "never shook hands" is exaggerated. Gould began by improvising something Straussian—we thought he was simply warming up, but no, he continued to play like that throughout the actual recordings, as though Strauss's notes were just a pretext that allowed him to improvise freely. Gould made his Boston debut in 1958, playing for the Peabody Mason Concert Series. The 1955 interpretation is highly energetic and often frenetic; the later is slower and more deliberate[86][87]—Gould wanted to treat the aria and its 30 variations as a cohesive whole. It tends to have a mechanism which is rather like an automobile without power steering: you are in control and not it; it doesn't drive you, you drive it. Claude Rains narrated their recording of Strauss's Enoch Arden melodrama. Glenn Gould (piano) Bach, J S: Two-part Inventions Nos. Philosophers such as Giorgio Agamben and Mark Kingwell have interpreted Gould's life and ideas. [6][15], At the age of 10, he began attending the Royal Conservatory of Music in Toronto (known until 1947 as the Toronto Conservatory of Music). A doomsday scenario …. comment. Gould was shocked by this, and complained of aching, lack of coordination, and fatigue because of the incident. Later works include the Lieberson Madrigal (soprano, alto, tenor, bass [SATB] and piano), and So You Want to Write a Fugue? He was attracted to the technical aspects of recording, and considered the manipulation of tape to be another part of the creative process. He performed on television and radio, and produced three musique concrète radio documentaries called the Solitude Trilogy, about isolated areas of Canada. During Gould's 1957 concert performances in Moscow. He was one of the best known and most celebrated pianists of the 20th century,[1] and was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. Find album reviews, stream songs, credits and award information for Bach: The Well-Tempered Clavier, Book 2 - Glenn Gould on AllMusic - 1993 [19] His pianism had great clarity and erudition, particularly in contrapuntal passages,[19] and extraordinary control. The somewhat muffled sound of this 20th-century instrument is very different from modern recordings that are made using copies of old harpsichords. On August 25, 2012, the spacecraft became the first to cross the heliopause and enter the interstellar medium.[106]. You must have that immediacy of response, that control over fine definitions of things."[27]. (Gould rarely shook people's hands, and habitually wore gloves. As a baby, he reportedly hummed instead of crying and wiggled his fingers as if playing chords, leading his doctor to predict that he would "be either a physician or a pianist". He continued to use this chair even when the seat was completely worn through. [69] Gould's public funeral was held in St. Paul's Anglican Church on 15 October with singing by Lois Marshall and Maureen Forrester. While the test was hardly scientific, Gould remarked, "The tape does lie, and nearly always gets away with it".[80]. Used from. When Gould was in Los Angeles in 1956, he met Cornelia Foss, an art instructor, and her husband Lukas, a conductor. )[fn 15][fn 16] The spine injury he had suffered early in life led to physicians prescribing, usually independently, an assortment of analgesics, anxiolytics, and other drugs. [37] On 31 January 1960, Gould made his American television debut on CBS's Ford Presents series, performing Bach's Keyboard Concerto No. Amazon.com. He enjoyed a jazz concert with his friends as a youth, mentioned jazz in his writings, and once criticized the Beatles for "bad voice leading"[fn 18]—while praising Petula Clark and Barbra Streisand. [58], One piece of evidence arrived in 2007. [117], Gould received many honours both during his lifetime (while claiming to despise competition in music) and posthumously. It is likely that this habit originated in his having been taught by his mother to "sing everything that he played", as his biographer Kevin Bazzana puts it. 4 in G Major, BWV 1049. 30, selections from Bach's The Art of Fugue, and Paul Hindemith's Piano Sonata No. He may have spoken ironically about his practising as there is evidence that, on occasion, he did practise quite hard, sometimes using his own drills and techniques. 1. He studied music theory with Leo Smith, the organ with Frederick C. Silvester, and piano with Alberto Guerrero. Bach: The Well-Tempered Clavier, Book I, Volume 3. The 1981 release was one of CBS Masterworks' first digital recordings. He held his final public performance in 1964, and thereafter devoted his career to the studio, recording albums and several radio documentaries. Bazzana has speculated that Gould's increasing use of a variety of prescription medicines over his career may have had a deleterious effect on his health. 5 and the cantata Widerstehe doch der Sünde from the harpsipiano (a piano with metal hammers to simulate a harpsichord's sound), and Gustav Mahler's Symphony No. 4:52. (SATB with piano or string-quartet accompaniment). The performer had to make creative choices. Glenn Gould - Bach - BWV 891 - Prelude and Fugue. [50] Plans for a studio recording of the performance came to nothing. [63] In 1956, Gould said to photojournalist Jock Carroll "... my hysteria about eating. Bach's WTC on a Wittmayer harpsichord. [84], Gould's first commercial recording (of Berg's Piano sonata, Op. Audio CD, Extra tracks, Original recording remastered, September 30, 2003. He also made recordings of the complete piano works Lieder by Arnold Schoenberg. [43] Gould was renowned for his peculiar body movements while playing and for his insistence on absolute control over every aspect of his environment. 4:52. Check out Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893 by Glenn Gould on Amazon Music. Bazzana writes that "it is tempting to assume that Gould was asexual, an image that certainly fits his aesthetic and the persona he sought to convey, and one can read the whole Gould literature and be convinced that he died a virgin"—but he also mentions that evidence points to "a number of relationships with women that may or may not have been platonic and ultimately became complicated and were ended". They were all orchestral sounds, but I was playing them all, and suddenly I was Hofmann. Probably the best-known are the German musicologist Karlheinz Klopweisser, the English conductor Sir Nigel Twitt-Thornwaite, and the American critic Theodore Slutz. 3 in D major, BWV1054. Gould also collaborated with members of the New York Philharmonic, the flautist Julius Baker and the violinist Rafael Druian in a recording of Johann Sebastian Bach's Brandenburg Concerto No. He founded the Festival Trio chamber group in 1953 with the cellist Isaac Mamott and the violinist Albert Pratz. "[48] Leonard Bernstein said, "There is nobody quite like him, and I just love playing with him. ... Bach, Prelude & Fughetta in e, BWV900 - 1 Prelude.ogg download. He transcribed his own Wagner and Ravel recordings, as well as the operas of Richard Strauss and the symphonies of Schubert and Bruckner,[6] which he played privately for pleasure. [65] Cornelia Foss has said that Gould took a lot of antidepressants, which she blamed for his deteriorating mental state. Gould's experience of driving across northern Ontario while listening to Top 40 radio in 1967 provided the inspiration for one of his most unusual radio pieces, The Search for Petula Clark, a witty and eloquent dissertation on the recordings of the renowned British pop singer, who was then at the peak of her international success. [51] He also disliked social functions. Check out Bach: Excerpts from The Art of the Fugue, BWV 1080 & Prelude & Fugue in B-Flat Major, BWV 898 by Glenn Gould on Amazon Music. Gould's writing style was highly articulate, but sometimes florid, indulgent, and rhetorical. [120] In 1983, he was honoured posthumously, being inducted into the Grammy Hall of Fame for his 1955 recording (released in 1956) of the Goldberg Variations.[121]. When presented with a piano, the young Gould was reported to strike single notes and listen to their long decay, a practice his father Bert noted was different from typical children. It's probably fair to say that until Glenn Gould got his fingers around it, Bach's music was used for teaching purposes more than anything else. Notable productions include his musique concrète Solitude Trilogy, which consists of The Idea of North, a meditation on Northern Canada and its people, The Latecomers, about Newfoundland, and The Quiet in the Land, about Mennonites in Manitoba. 4.4 out of 5 stars 76 ratings. He disliked the concert hall, which he compared to a competitive sporting arena. The Conservatory received its. Gould worked from a young age with Guerrero on a technique known as finger-tapping: a method of training the fingers to act more independently from the arm. 3. [9] The diagnosis was first suggested by psychiatrist Peter Ostwald, a friend of Gould's, in the 1997 book Glenn Gould: The Ecstasy and Tragedy of Genius. In a lecture and essay titled "Forgery and Imitation in the Creative Process", one of Gould's most significant texts,[81] he makes explicit his views on authenticity and creativity. [112][113] A federal plaque reflecting the designation was erected next to a sculpture of him in downtown Toronto. [28] Gould was known for having a vivid imagination. Glenn Gould plays Johann Sebastian Bach's Partita no.6 in E minor, BWV830.I. [18], Gould developed a technique that enabled him to choose a very fast tempo while retaining the "separateness" and clarity of each note. According to another of Gould's biographers, Otto Friedrich, the air-conditioning engineer had to work just as hard as the recording engineers.[44]. In December 1979 Gould’s longstanding producer Andrew Kazdin left Columbia. Glenn Herbert Gould was born at home in Toronto, on 25 September 1932, to Russell Herbert Gold (1901–1996) and Florence Emma Gold (née Grieg; 1891–1975),[4] Presbyterians of Scottish, English, and Norwegian ancestry. [72] He expounded his criticism and philosophy of music and art in lectures, convocation speeches, periodicals, and in radio and television documentaries for the CBC. It wasn't easy for me. Bach*/ Glenn Gould- The Well-Tempered Clavier, Book I Complete (Preludes And Fugues 1–24)‎(3xLP, Comp, RE + Box) Columbia Masterworks. [56], Gould lived a private life. [67] There has also been speculation that he may have had bipolar disorder, because he sometimes went several days without sleep, had extreme increases in energy, drove recklessly, and, in later life, endured deep depressive episodes. Hide other formats and editions. Glenn Gould Edition - Bach: The Art of the Fugue (Excerpts), Prelude and Fugue on BACH, BWV 898 1997 Bach: The Well-Tempered Clavier, Books I & II, BWV 846-893 Philosopher Mark Kingwell writes that "his influence is made inescapable. Gould referred to himself repeatedly as "the last puritan", a reference to the philosopher George Santayana's 1935 novel of the same name. 2 (the Urlicht section) in the 1960s. He was admitted to Toronto General Hospital, and his condition rapidly deteriorated. ", "Christopher Foss grew up with Glenn Gould, but never got to say goodbye", "Ottawa; An Exhibition of Glenn Gould Memorabilia Sheds A Little Light on A Musical Enigma", "Being Glenn Gould – The Adelaide Review", "Wildlife: On the trail of Count von Svoboda and Glenn Gould", "The Prospects of Recording – Resources – The Glenn Gould Archive", "The Variations of Glenn Gould: Legendary, Eccentric Pianist Launched His Career by Playing Bach", "Glenn Gould " The CBC Legacy " Timeline of a Musical Genius", "Glenn Gould's fascination with Petula Clark (excerpt)", Harper Government Celebrates Glenn Gould as National Historic Person Canadian cultural icon commemorated at plaque unveiling ceremony, "Glenn Gould: The Sounds of Genius » Credits", "Dr. José Antonio Abreu Awarded Coveted 2008 Glenn Gould Prize", "The Glenn Gould School " Key Facts and History", "Home " The Recording Academy " The GRAMMY Awards " GRAMMY Hall of Fame", "Late Toronto pianist Glenn Gould receives Grammy lifetime achievement award", "How Mozart Became a Bad Composer" by Glenn Gould, in, Podcast about Glenn Gould from Library and Archives Canada, "Glenn Gould collected news and commentary", https://en.wikipedia.org/w/index.php?title=Glenn_Gould&oldid=996539818, Juno Award for Classical Album of the Year – Solo or Chamber Ensemble winners, Grammy Lifetime Achievement Award winners, Persons of National Historic Significance (Canada), Burials at Mount Pleasant Cemetery, Toronto, All Wikipedia articles written in Canadian English, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 December 2020, at 05:31. Gould likened his process to that of a film director[79]—one does not perceive that a two-hour film was made in two hours—and implicitly asks why the act of listening to music should be any different.

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